Cesendello Silk on a rod Chandelier

Cesendello Silk on a rod Chandelier. The fabric-covered rod with delightful detail can accommodate 3 to 9 light points. A Cesendello, or sanctuary lamp, has its roots in Rome and Byzantium, and later became popular in Venice and the Muslim world. The profile of its elegant spiral structure recalls the twist of a turban. The refined silhouette represents the synthesis of the Oriental and Renaissance themes present in Venice as early as the 15th century. The fabric-covered rod with delightful detail can accommodate 3 to 9 light points. This Fortuny Cesendello silk lamp on a rod can be wall or ceiling mounted. In the suspended version, the rod comes with two hanging chains (each 2 meters / 79″), adjustable on site.

The lightness of the opaline silk, the refined decoration and the balance of the silhouettes merge together, creating true sculptures of light. Perpetuating the tradition, Venetia Studium continues to produce these wonderful lamps. Evoking almost fairytale places and times, Fortuny lamps are the result of research into lighting, design and ways of filtering light. Thanks to the particular structure and various models proposed, they fit in with any style of décor, completely satisfying the needs of good illumination and giving the space a soft, evocative and timeless atmosphere.

Width

116 cm | 45.67", 134 cm | 52.76", 152 cm | 59.84", 170 cm | 66.93", 62 cm | 24.41", 80 cm | 31.50", 98 cm | 38.58"

Depth

17 cm | 6.69"

Height

123 cm | 48.43"

Lead time

1-2 weeks + shipping

Venetia Studium has creatively embodied Fortuny’s affection in the multi-culture aspects. Enjoying the Venetia Studium’s lighting objects one can experience the fusion of culture sensitively carried by Fortuny, there are Spanish, Persian, Islamic, classical Greek, Renaissance and the great Venetian Art of the fifteenth and sixteenth centuries. Among all, the strongest influences from the western culture are Spanish, as Mariano Fortuny was born in Granada, the ancient Moorish Capital of Spain; and Italian, as he resided in Venice since 1889 until his Fortuny’s blood as a Spanish origin. While Arabic was the strongest non-Western culture to him.

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